Hibbs Hall 324E
(ON RESEARCH LEAVE, 2019-2020)
BA Princeton University
PhD Duke University
Literature, technology, and science; contemporary American literature; media studies; robotics and artificial intelligence; digital art
(forthcoming) “The Materialities of Big Data.” Energy Accounts: Architectural Representations of Energy, Climate, and the Future, edited by Dan Willis, William W. Braham, Katsuhiko Muramoto, Daniel A. Barber, Routledge, 2017, pp. 90–99.
“Surveillance and Counter-Surveillance in Philip K. Dick’s A Scanner Darkly.” Mosaic: A Journal for the Interdisciplinary Study of Literature, vol. 50, no. 2, 2017, pp. 133–147.
“Adam Harvey’s Anti-Drone Wear, in Three Sites of Opacity.” Camera Obscura: Feminism, Culture, and Media Studies, vol. 31, no. 2, 2016, pp. 174–85.
“Beyond the Uncanny Valley: Masahiro Mori and Philip K. Dick’s Do Androids Dream of Electric Sheep?” Configurations, vol. 21, no. 3, 2013, pp. 301–29.
“Misidentification’s Promise: The Turing Test in Weizenbaum, Powers, and Short,” Postmodern Culture, vol. 20, no. 3, 2010. Online.
Post-Doctoral Fellowship, The Bill and Carol Fox Center for Humanistic Inquiry, Emory University, 2013–2014.
No photo credit provided – 2013